This is a practical hands-on guide to painting any area in the home, with over 200 step-by-step pictures. It is an instant guide to basic techniques, including preparing surfaces, filling cracks, and the best way to apply paints and varnishes. It is a useful advice about the various types of paint such as matt, eggshell or gloss, as well as binders, diluents, varnishes, and wood stains, and their specific uses. It helps how to use painting tools and equipment for applying the paint, including brushes, rollers, pads, sponges and aerosols. It helps you to estimate the quantities of paint you will need, using diagrams and charts. It includes special paint effects, such as sponging, dragging, dry brushing, stippling and ragging. Home decorating using paint can be a satisfying experience. With appropriate preparation and the correct application of paint, even an amateur will find it easy to end up with a professional result. This book will guide you every step of the way, from using the right tools and preparing the surfaces, to applying the final coat of paint or varnish.
From the INTRODUCTION:
In Volume IV the focus lies on Rembrandt's self-portraits. During this research it became obvious that matters of authenticity cannot be viewed separately from questions relating to the original function and meaning of these works. Rembrandt's intriguing life-long practice of portraying himself in front of a mirror is examined in depth in this volume. As a result, not only has the group of approximately forty painted self-portraits gained transparency, but also new insights have been developed regarding Rembrandt's drawn and etched self-portraits. The problems of authenticity relating to a substantial number of self-portraits which in the past were attributed to Rembrandt, in this volume receive an unexpected nuance: through a combination of technical and stylistic research it is demonstrated that some of Rembrandt's self-portraits were in fact painted by others in his workshop.In clear and accessible explanatory texts the different paintings are discussed. Among the many illustrations are life-size colour reproductions of the faces of the self-portraits under discussion. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. The volume contains an -- in several respects eye-opening -- essay by the head of the Rembrandt Research Project, Ernst van de Wetering, on the problems of authenticity and function of Rembrandt's self-portraits. In addition, the book includes groundbreaking contributions by Marieke den Winkel on the meaning of dress and costume in Rembrandt's self-portraits, by Karin Groen on the use of grounds in Rembrandt's workshop and in paintings by his contemporaries, and a study by Jaap van der Veen concerning 17th-century ideas about authenticity in art.This reference work should be part of every serious art historical institute, university or museum. The enigma of Rembrandt's self-portraits, one of the most compelling phenomena in art history has been unravelled by Ernst van de Wetering with unprecedented thoroughness.
'How To Face Interviews And Prepare For Examinations: A Complete Guide is an attempt to guide the students from day one of their entry into college till their final passing out with an aim to prepare them for excelling in examinations, building up their personality and finally facing the Job Interviews and come out with flying colors.
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